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<div> Historical memory has a particular value in analyzing events and characters that give life to stories from the past. Jorge Edwards specifies that the story’s description is nothing more than the literary success of a writer who navigates the vicissitudes of life and history, as he rightly points out. History must be observed carefully and as a “conjecture” that points, in the first place, to an experience of “memory” and that keeps alive, despite time, the unique reality of a country and its people. Like Edwards, we attempt to wander through reminiscences and recollection. Our narrative experience is simple. However, it is an observation and representation of history with a testimonial value in its approach. As the novelist points out, the testimony of history is the most creative thing that the writer has. In the same way, our effort is neither more nor less the rescue, through these short stories and their language, of facts and characters that are part of realities, in which their protagonists make time pass and tell us things from the past.</div>
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<div> Edwards is an inspirational source, like other novelists, whetting our appetites in his search for history, facts, and experiences that give us a unique opportunity to delve into the process of history in an endless dialogue that enriches and continues giving life to the past, in an infinite invention of it. It is ultimately the feeling that we have of things that happened and that we can continue learning from them. These memories and lived experiences are stories that perpetuate characters, intellectuals, writers, works, teachings, and places that express an essential part of life through readings, reflections, and significant looks at chronicles that resist oblivion and disappearance. From each of these short stories, we gather a vital part of the search for the truth and the real meaning of life.</div>
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目 錄
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Foreword<br>
Introduction<br>
1. Rancagua<br>
2. Memories of the Past (I)<br>
3. Memories of the Past (II)<br>
4. Victoria<br>
5. Box Hill<br>
6. Leuven<br>
7. Hong Xiuquan (I)<br>
8. Hong Xiuquan and the Taiping Rebellion 1851-1864 (II)<br>
9. Taiping Ideology in Todays Reading<br>
10. Jose Donoso Life and Work<br>
11. Jose Donoso: El lugar sin limites<br>
12. Dialogues with Marcela Paz<br>
13. Papelucho Historian<br>
14. Papelucho: Interior monologue, Loneliness and Dialogue<br>
15. Perico Climbs Through Chile<br>
16. Jorge Edwards and the ""Conjecture""<br>
17. Jorge Edwards, El sueno de la historia<br>
18. In Memoriam of Michel De Montaigne<br>
19. Georges De Schrijver (1935-2016)<br>
20. Persona Non-Grata<br>
21. ""The Little Paris"" (小巴黎)<br>
22. The Xin Zhuang Neighborhood<br>
23. Maria Luisa Bombal<br>
24. Taishan<br>
25. Roberto Bolano and the Apocalypse<br>
26. Science Fiction: Literary Genre and Dystopia<br>
27. The Savage Detectives<br>
28. La Araucana: A Dystopian Epic<br>
29. Gabriela Mistral<br>
30. Ines del alma mia<br>
31. Isabel Allende, Pain, Death and Hope<br>
32. Portrait of a Woman<br>
33. Graduation Theatre<br>
34. Magic Realism<br>
35. Pedro Paramo: Despotism<br>
36. In Memory of Ambrose Bierce, Old Gringo (1985)<br>
37. Theodor Adorno and Dorothee Solle<br>
38. Monterroso in Brief<br>
39. Mario Benedetti<br>
40. Alejo Carpentier and The Kingdom of this World<br>
41. Women Writers<br>
42. Romulo Gallegos: Dona Barbara<br>
43. Sewell<br>
44. The Smoke Tragedy<br>
45. Theodor Adorno and the ""Meaninglessness of Suffering""<br>
46. Jon Sobrino<br>
47. Gustavo Gutierrez: Third World ""Dependence""<br>
48. The face of Jesus in China, Zhong Kui: the Daoist Hero<br>
49. Women and Men in Taiping Society<br>
50. Language and Identity<br>
51. Laura Esquivel: Women in Power<br>
52. Adolfo Bioy Casares: The experience of Love and Pain<br>
53. Utopia and Dystopia<br>
54. Charism that Leads to Tragedy<br>
55. A New World: The War at the Ends of the World<br>
56. Teaching at Fu Jen University<br>
57. Gabriel Garcia Marquez and the Leaf Storm<br>
58. La Malinche: A Woman Between Two Worlds<br>
59. An Adventurous Woman<br>
60. Pablo Neruda<br>
61. Spanish Department in Fu Jen<br>
62. Critical Analysis of Literary Works<br>
63. Isabel Allende: Family Sage<br>
64. El Senor presidente: Carnivalesque Perspective<br>
65. Childrens and Youth Literature<br>
66. Aurora del Valle: A Free Woman<br>
67. Carlos Fuentes: La campana<br>
68. Gabriel Garcia Marquez: One Hundred Years of Solitude<br>
69. “El Axolotl”<br>
70. The Crying of Latin American<br>
71. Michael Houllebecq: The Dystopian Submission<br>
72. Herbert George Wells: The Time Machine<br>
73. Roberto Bolano: Distant Star<br>
74. Power and Truth in the Patristic Age<br>
75. Roberto Bolano and the Window Enigma<br>
76. Space and House in Isabel Allende<br>
77. The Personal History of the Literary Genre ""El Boom""<br>
78. Age of Enlightenment<br>
79. Octavio Paz: The Labyrinth of Solitude<br>
80. Elizabeth Burgoyne Corbett<br>
81. George Orwell: Animal Farm<br>
82. Magic in the Kitchen, Sensuality and Feminine Space<br>
83. Horacio Quiroga<br>
84. Dostoevskys House (2008)<br>
85. Jorge Luis Borges: ""El Sur""<br>
86. Myth and Magic<br>
87. Margaret Atwood: The Handmaids Tale<br>
88. Simon Bolivar: The General in His Labyrinth<br>
89. A Tribute to Diego Rivera<br>
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