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成為賈伯斯:天才巨星的挫敗與孕成
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Global Time-Space Reorderings: Literary, Cultural, and Cinematic Transformations

Global

沒有庫存
訂購需時10-14天
9789863070733
左乙萱
唐山出版社
2014年9月30日
127.00  元
HK$ 107.95  






ISBN:9789863070733
  • 叢書系列:唐山論叢
  • 規格:平裝 / 312頁 / 15 x 21 cm / 普通級
    唐山論叢


  • 文學小說 > 文學研究 > 華文文學研究











      Global Time-Space Reorderings: Literary, Cultural, and Cinematic Transformations transnationally explores the impact of globalization on the reconceptualization of time and space in modern and contemporary literature, culture, and cinema. Yi-Hsuan Tso’s examination includes the novel Magical Mountain by the Nobel Literature Laureate Gao Xingjian, the Taiwanese Canadian poet Lo Fu’s epic Driftwood, the work of Taiwanese woman poet Hsia Yu, the Taiwanese documentary Let It Be, and third wave feminism in Taiwan. The book maintains that there are at least three axes of global time-space reordering. The first axis is the possibility of escape and freedom in time-space. In Magical Mountain, the escape from civilization is facilitated by the utopian nature with which a person communicates spiritually. Likewise, in Lo Fu’s Driftwood, the self gains freedom through the transcendence of local, local-global, and global time-space. The second axis is a translocal consciousness exemplified by the double-center globally migrating identity in Lo Fu’s Driftwood, the local, regional, and global entanglements in Taiwanese third wave feminism, and the acentric poetics of Hsia Yu. The third axis is the debate in Let It Be over whether to sustain the local-global economic interconnection or to lessen this interconnectivity confronting the spaces smoothed out by capitalism’s laissez faire policy.






    Acknowledgments



    Chapter 1? Introduction



    Chapter 2? Nature as Refuge in the Globalized World: The Form of Gao Xingjian’s Magical Mountain

      The Pneumatic Nature

      Nature as Refuge in a Globalized World



    Chapter 3? Globalization or Diaspora? Lo Fu’s Global Poetry

      Globalization and Literature

      The Transcendence of Time and Space

      Migration vs. Diaspora, and the Global or the Regional?

      Global Aesthetic

      Conclusion: Space, Time, and Double-center Globally Migrating Self



    Chapter 4? Globalization and the Taiwanese Character: Let It Be and the Documentary

      Introduction

      The Taiwanese Character and Cinema

      Six Attributes of the Taiwanese Character

      The Documentary Audience’s Emotions and the Self-Reflexive Style

      Conclusion: The Omnibus Film Theory



    Chapter 5? Globalization, Third Wave Taiwanese Feminism, and Hsia Yu’s Poetry

      Introduction

      This Wave: Recognition and Diversity

      Girls Are Not Women

      The Globalized Family

      Violence of the Nation-State and Intimate Others

      Invisible Women and Girls

      Global Agendas Elsewhere

      Global Time-Space, the Self, and Third Wave Womanness in Hsia Yu’s Poetry

      Conclusion



    Chapter 6? Conclusion



    Notes



    Works Cited




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